Poetics of storytelling: a study in modern Iraqi stories
Abstract
The fictional work should be seen as an entity that contains a special poetic, we reveal its uniqueness and exceptionalism in the work of its tools, and it works comprehensively and wholly as a pure and pure system that does not involve a lost unit in the beginning. Some of them are in real hinges for the summit, and others work only to fill the spaces that separate the articulated narrative units, but the work is not straightforward except with them together.
This is reflected in the short language composed of the narrative pronoun. It is a sign language at its highest levels, which is full and deviates from the norm in methods of linking and forming relationships. A field that has public privacy.
The modern Iraqi fictional text established its aesthetic dimension by its decisive affiliation with modernity storytelling. This study has approached certain texts that have important capabilities to invest in the data of narration, and manifestations of its conscience in the production of poetry of storytelling, dreaming of storytelling, and chemistry of storytelling.